Bones, stars: a symposium

The Symposium on Manitoba Writing, held last week in Winnipeg in celebration of  30 years of the Manitoba Writers’ Guild, took as its theme a line from Robert Kroetsch, “Let the stars shine in our bones.”

The theme of place wove through the symposium’s mix of scholarly papers, readings, and panel discussions. Writer David Arnason recalled the founding of Turnstone Press, the Guild, and similar early ventures as promoting “a prairie vision of the world,” as “creating a culture.” Jared Bland (House of Anansi Press) spoke of current “yearning for universality,” of audiences moving away from place.

The significance of place, then? Perhaps both: bones and stars.

A few other bits from my notebook: “Even abandonment gives us memories” (Maurice Mierau). The contemporary city as palimpsest (André Forget). “The competing narratives of this city would be a good [literary] tour” (Rae St. Clair Bridgman, eager to grow literary tourism in Winnipeg). Kroetsch quoted often, as in a paper on waste in Margaret Laurence’s The Diviners and Guy Maddin’s My Winnipeg – “What is more precious in our collective biography than those very things which we elect to conceal or discard?… Discard…constitutes the materiality of trace.”

A workshop by Manuel Portela, “Reading Digital Literature,” was a highlight for me; I’ve described it here.

A near final draft

Yesterday I completed what I promised to do when I applied for and got a Manitoba Arts Council grant last fall – and only one day beyond the five months (December through April) I’d projected! What I promised was a “near final draft” of [tentative name], a novel in which [one sentence description]. It exists now, a manuscript of some 114,000 words, and needs a rest. As do I, to take some distance so I can see what “final” may involve, and to gather energy for the steps beyond that, which include others deciding what I’ve got and if it’s any good. In the meanwhile, I’m deeply grateful to MAC for the financial support and affirmation, and for the powerful motivation that external expectation provides!

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Three reviews

Over the last half year or so, three more reviews of This Hidden Thing have appeared that I haven’t gotten around to mentioning yet. But here they are, interesting and insightful, each of them, along with links where possible and a few quotes.

Review in the winter 2011 edition of Rhubarb (not yet online) by Kirsten Eve Beachy, editor of the anthology Tongue Screws and Testimonies and writing teacher at Eastern Mennonite University. “… a study of how one character builds an entire life, pearl-like, to protect the secret at the center of it…. mature narrative style, self-contained voice, and–above all–the complicating undercurrents of Maria Klassen’s secret that changes nothing, that changes everything.”

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Back home

It’s been a good past week, in Harrisonburg, Virginia where spring is already wonderfully advanced (think pink blossoms and red tulips) for the Mennonite/s Writing VI conference — my observations here, if you’re interested. Then yesterday, back in Winnipeg, reading with Sheila McClarty in the last of the “In Dialogue” series. We had supper before the event and enjoyed getting to know each other. We repeated some of that conversation in front of the audience. I think it turned out well. — April is designated for some solid work on my novel project! And for the events of the Holy Week, of course, this weekend. A happy Easter to all!

In Dialogue event coming up!

NEXT READING: DORA DUECK & SHEILA MCCLARTY, MONDAY APRIL 2ND

I’m looking forward to reading and conversing with Sheila, author of High Speed Crow, winner of the 2011 Eileen McTavish Sykes Award for Best First Book by a Manitoba author.

I’d love to see you, if you can make it! Admission: $ 10. Read the full post »

More like a house than a road

One of my Facebook friends recently posted this quote from Alice Munro (from a 1982 essay). It struck me as not only wonderfully descriptive of Munro’s work, but as suggestive of method, as a helpful way of thinking about/visualizing the story I’m working on at the moment.

I don’t take up a story and follow it as if it were a road, taking me somewhere, with views and neat diversions along the way. I go into it, and move back and forth and settle here and there, and stay in it for a while. It’s more like a house. Everybody knows what a house does, how it encloses space and makes connections between one enclosed space and another and presents what is outside in a new way. This is the nearest I can come to explaining what a story does for me, and what I want my stories to do for other people. –Alice Munro

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